LINN MAJIK 140 PDF

Associated amplification has always been appropriate to the speakers themselves — valve amplifiers always used with the Living Voice for example — and so I firmly believe that I have always got the electronics right. So why am I not writing about these and why was it necessary to o through a truckload of other speakers to get to where I am today. A few reasons. Firstly as a design they are quite top heavy and a nudge near the top of the cabinet would have them rocking back and forth.

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Associated amplification has always been appropriate to the speakers themselves — valve amplifiers always used with the Living Voice for example — and so I firmly believe that I have always got the electronics right. So why am I not writing about these and why was it necessary to o through a truckload of other speakers to get to where I am today.

A few reasons. Firstly as a design they are quite top heavy and a nudge near the top of the cabinet would have them rocking back and forth. This gave them the stability they needed but did rob the sound of a great deal of warmth. The other reason is that they sounded of their best with valve amplification. I have a four year old daughter who at the time was learning to get around the lounge. I was constantly petrified that she would touch exposed valves or valve cage and suffer some serious injury.

When the hi-fi was on I could never relax if she was in the same room. So, amazing as the Living Voices were, they were simply too impractical for my room and home life and so they had to go along with the valve amplifiers I had at the time. After this I went through a stream of loudspeakers looking to replicate some of the Living Voice magic. When I first heard them at the House of Linn demonstration I was totally stunned that an entry level loudspeaker could sound so open and detailed without sounding sterile.

They handle all types of music with equal aplomb from folk music, classical, rock, heavy metal. Nothing fazes them.

Stick some ACDC on and they can be played ear splittingly loud filling room superbly. Vocals are placed dead centre. Alternatively, play a Beethoven String Quartet and they will demonstrate a wonderful delicacy allowing enough space and aural clues as to the space in which instruments are playing that you can get lost in the ebb and flow of the music. If what you have is working for you then stick with it.

If not and you are looking for a change then I urge you to stick these on your shortlist. Thanks for reading!!!! In case anyone is wondering I have nothing at all to do with Linn or House of Linn. I have paid over my hard earned cash to by all the equipment mentioned and have received nothing in return from either organisation.

Up until last year Linn, as a brand, would have been last on my list to listen to. I am now converted to Linn as such that as a brand they should certainly be at or near the top of your list for audition…… All photographs taken with a Fuji X — Review to Follow!

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Majik 140 System

Robert J. Then, wondering what a pricier Linn speaker might sound like in my system, I asked Linn which was their most expensive model that also incorporates the 2K tweeter-supertweeter array used in the Majik The 2K comprises a 1. Below this are two 6. The upper unit, which covers the region below 1.

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